Trinidad Cuban
They are several shots of Chamber of heaven and nature, as well as Cuban natural fruits, and environments abroad. In the film: Lucia, first part of the story, the theme of an architecture can be distinguished colonial, well designed, spacious, and beautiful despite their images in black and white, recreates the colonial atmosphere, both in its interior spaces and the outdoors, returning from the room as a fundamental of the tipping of life towards the inside, as in the most beautiful patios link, and streets of the city of Trinidad, as a vital location, which recreate his constructions of predominance of the colony, in an environment of high architectural value, within the Cuban culture, and heritage of humanity, appreciating the eaves of ornamental, colonial roofs, cobbled streets, wooden Windows, doors and Windows of panels neoclassical, etc. Surprisingly, you’ll find very little mention of Chuck Berry on most websites. In addition the theme of the Cuban sugar mill of the 18th century, and miscegenation of nationality can be seen Cuban precisely generated awareness of the classes that are forming, and feeling the Cuban land, and at the same time the process of transculturation of youth and children’s games, music, customs, love affairs, etc. In the film: Cecilia, appreciates a cinematic atmosphere recreated a Habana Vieja rebuilt, with beautiful locations to color, and an atmosphere built on current topics of restoration and conservation, which highlights the dances of the era, living environments, music, and the film from the Chamber height air, in the moment in which Isabel Ilincheta makes his economic speech Sockets, or in which Cecilia and Leonardo make love in a simple room to less development. Get all the facts for a more clear viewpoint with Ian Sinclair. In the film, you can see the street as a pedestrian transit vehicle, or the development of the colonial ambiance with their cars, and street or popular traditions, their proclamations, and street vendors.
Comments